When I look back at what our family’s been through, what everyone’s been through, seeing all that pain…I realize that the only way we made it through it all is by hanging together.
(via padakitty)Source: sammywessons
do yoU EVER GET SO UPSET THAT FICITIONAL CAHRACCTESRS HAVE THE SAME AGE AS YOU AND THEYVE GONE ON SUCH MAGICAL ADNVETURES AND YOU HAVENT????
What do you mean? You went on all of those adventures with them, didn’t you?
That is the best answer ever
(via thebeccatyler)Source: dekroth
Rose smiles, a little embarrassed at how her cheeks still flush and her eyes tear up just a bit, hearing those words from her Doctor. “I love you, too.” Her grin widens when he smiles back.
“The rain’s not your fault, you know. And since when did a little rain stop us, anyway?”
“Never,” he breathes happily.
Feel better, Roseandherdoctor!
(via thebeccatyler)Source: flypup
"I was getting tired of Rose’s pining for the Doctor by the end of Season 4."
TELL ME HOW YOU DID THIS
SHE WAS GONE FOR TWO SEASONS
SHE WASN’T THERE TO PINE
Excuse me, I think you mispelled “the Doctor’s pining for Rose”.
The Doctor pined. You know what Rose did? She went to motherfucking work and started building a dimension cannon because she wasn’t God damn done talking to her man.
(via buckysleftarm)Source: andrastesgrace
#he made the character more than it was tbh #i love book draco but you don’t get to SEE his struggle so much as infer it based on harry’s rather limited POV and in the movies you get tom felton being amazing and deep and showing the downward spiral of someone who made himself incredibly vulnerable at his first meeting harry because he’s sure that all the hype his parents have been doing towards his family and his winning personality are going to garner him all the cool friends but then the years go on and everyone but slytherin hates him and then everyone but his small group of friends hates him and then he’s not even at school at all and he thinks his parents resent him for not succeeding in killing dumbledore and not helping their family get out under voldemort’s control even though those are both impossible requests for someone who is still underage you can see him try and make a decision of what’s right and what’s easy and once he starts thinking for himself you can see him leaning towards the former because none of this is what he signed up for because from the moment his school career began he’s been failing to live up to the expectations he’s set for himself so he rejects everyone around him as lesser and latches onto the one thing that his parents taught him that comes in handy and condescends to anyone who’ll listen and by the end you can see it eat away at him to the point where he’s all but begging harry to save him from dying because he’s once again failed supremely but this time he’s hit the actual rock bottom and his throat is raw from his constant need to resist swallowing his pride and all he wants is a fresh gasp of air and when his parents get him back he flees without looking back because as much as they’ve been worn out by the war draco’s been worn out by so much more in addition to that #and this all happens int he background with no more than a page of dialogue in each movie whereas the main characters have massive arcs and long lingering moments where you see them break down and build themselves back up and tom felton does it all with such cohesion and quiet brilliance that you look back and deem him a main character when he’s really been lost among the massive cast only getting a few words in edgewise and sometimes i wonder if he maybe relates to draco on a level that makes everything that much more rich and nuanced#harry potter #word vomit #spoilers #malfoys appreciation blog ‘∞
(via winterinthetardis)Source: danandblair
So lemme get this straight
this is ok and sexy and fun haha
This is ok and artsy and oh wow how modern
THIS IS OBSCENE WHAT A SLUT I CANNOT BELIEVE THIS IS WHAT SHES DOING THIS IS MADDNESS HOW DARE SHE WHAT A SLUT WHAT DOES HER FATHER THINK I AM GOING TO FAINT
Is this correct?
reblogging a gain
Because naked women have to be under a man’s control or else they’re dangerous and scary
are you forgetting the part where there was huge uproar about robin thicke’s video as well?
(via buckysleftarm)Source: crystvl
No, but you don’t understand why I liked Iron Man 3 so much.
In all the other Avengers movies, we see characters going through pain and trauma and heartache. We see Steve lose practically his whole world and still carry on. We watch Bruce struggle with trying to figure out just how the Hulk fits into his life and his psyche; it is implied that he deals with depression and tries to end his life. We hear Clint and Natasha and their angst about the “red in their ledgers”, the things they have done, and we watch as Thor essentially comes of age and deals with the pain of having his brother fall down deeper and deeper. We KNOW the pain and the issues and the upset are there.
But Iron Man 3 is the first time we actually get to witness—REALLY witness—the aftermath of heroics.
In the first part of the movie we see Tony Stark dealing with real, honest-to-god PTSD. He has panic attacks, he can’t sleep, he gets reckless and has a harder time taking care of himself, he obsessively spends hours working on suits so he can protect Pepper—even though in doing so he is unintentionally threatening their relationship. Rarely has such a thorough job been done in showing that all the flash-bang-let’s-save-the-world action would, in real life, have some serious psychological consequences.
Then, as the film progresses, we see him laid low. REALLY low—we see him get taken apart piece by piece. He loses his home, he loses contact with the people he cares about, he loses his suit—which means, in the context of the past few films, that he is in some ways dead. “He is Iron Man”, after all, isn’t he? The public sees him as one with the suit, and in a sense, so does he—a good deal of his self esteem, his sense of being able to defend people, is locked up in what he can do in the suit. And now he’s stranded in the middle of nowhere—he can’t fly, he can’t fight much, he’s still suffering from PTSD, he’s being actively hunted by the few people who don’t think he’s dead. All of his real ability is locked up in his brain, a place not everyone would think to look. We see him almost completely broken down.
And then we watch him build himself back up again, but with one major difference: he does it without the suit.
In most of the second half of the film, in almost all of his major victories, Tony is not in the suit. He breaks into Killian’s mansion essentially with odds and ends he’s cobbled together. He saves the passengers from Air Force One with a suit he’s remotely controlling. He wins the final battle with a whole bunch of suits that he is not in at all. Rhodes saves the president, and Pepper kills the villain. Not Tony. And at the end of the day he blows up all the suits and tosses his mini arc reactor into the ocean.
Iron Man 3 is brilliant and underrated precisely because it lets the hero be a real man—a man, not a man in a suit. A person who can still work wonders even when he’s at his very lowest, when he’s stranded and battling mental illness. Someone who can’t operate completely alone, who lets other people have some victories as well—heck, who needs his friends and teammates to win. And as he says at the end of the movie, while he may not always wear a suit, he will always be Iron Man.
And personally, I think that is an A-freaking-plus storyline to bring into this franchise.
(via thebeccatyler)Source: gearsinthephoenix